Film

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Tish Murtha was a brilliant photographer who fought Thatcher with her camera. She deserved better

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How Star Wars Holiday Special became more powerful than George Lucas could possibly imagine

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‘Activism and organising is kinda sexy!’: Colman Domingo on Rustin, Oscar buzz and the Obamas

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Love Actually: Is it a Christmas classic or an unwatchable schmaltz-fest?

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Napoleon review – a man at war with the world and himself

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Saltburn review – Barry Keoghan steals the show

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The Mission: Inside John Chau’s doomed attempt to convert the tribes of North Sentinel Island

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Duran Duran pick the scariest movies to watch at Halloween – from Dracula to Silence of the Lambs

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Typist Artist Pirate King review – a warm-hearted, clear-eyed tribute to a neglected artist

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Retribution review – another Liam Neeson action vehicle fresh from the production line

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What Scorsese epic Killers of the Flower Moon means to an Indigenous street paper vendor

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Rock Hudson: How an Aids diagnosis saw the closeted Hollywood icon finally accepted

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Greed, betrayal and exploitation: The cruel true story behind Scorsese’s Killers of the Flower Moon

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Are big-budget horror movies becoming more conservative?

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BlackBerry review – the ruthlessness and farce of big business

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Artificial intelligence

The Creator: Could AI have generated Gareth Edwards’ gorgeous new sci-fi blockbuster?

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‘This is a city of homeless people’: Finding hope in the horror with hidden heroes of Ukraine

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More powerful together: the authentic experiences behind Ken Loach’s new film

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McCarthy-era blacklists transformed Hollywood. Will the same happen after the strikes?

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The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty

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