Film

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Melissa Barrera: ‘Carmen represents rebellion’

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Kalvin Phillips: ‘This generation of players can inspire young people’

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Does Mission: Impossible prove Hollywood has forgotten how to end a movie?

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Is Mission: Impossible on Cruise control?

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An Elemental problem at the heart of Pixar

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John Rhys-Davies: ‘We learn from our exposure to fear’

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Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny

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Peter Crouch: ‘It felt like the whole world was ridiculing me’

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A Dispatch from ’24 Hour Wes Fest’, or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test

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The Wicker Man at 50: Woozy, semi-surreal and hugely influential

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Glenda Jackson defied expectations to succeed in acting and politics

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Jayde Adams on how Take That movie Greatest Days captures the ‘intensity of fandom’

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The evolution of Mean Girls on screen… from Heathers to Sex Education

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Chevalier: Kelvin Harrison Jr on being a ‘soldier’ for overlooked Black history

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The Little Mermaid modernises the story by going back to the 1837 original, says director Rob Marshall

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Can Spider-Man: Across the Spider-Verse save us from multiverse fatigue?

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The Little Mermaid songwriter Alan Menken explains how to make a Disney classic

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Killers of the Flower Moon: In defence of Scorsese and long runtimes

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Fast X: Everything you need to know before the tenth Fast and Furious

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The Mother sees Jennifer Lopez take the well-worn path from A-list to badass babe

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