Film

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Rom-com royalty Meg Ryan is coming home to woo us one more time

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Typist Artist Pirate King review – a warm-hearted, clear-eyed tribute to a neglected artist

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Retribution review – another Liam Neeson action vehicle fresh from the production line

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What Scorsese epic Killers of the Flower Moon means to an Indigenous street paper vendor

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Rock Hudson: How an Aids diagnosis saw the closeted Hollywood icon finally accepted

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Greed, betrayal and exploitation: The cruel true story behind Scorsese’s Killers of the Flower Moon

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Are big-budget horror movies becoming more conservative?

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BlackBerry review – the ruthlessness and farce of big business

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Reflections on the Black Sea: A film festival from a rich and perilous region

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‘This is a city of homeless people’: Finding hope in the horror with hidden heroes of Ukraine

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More powerful together: the authentic experiences behind Ken Loach’s new film

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McCarthy-era blacklists transformed Hollywood. Will the same happen after the strikes?

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The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty

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Incredible story behind man who created a dress out of nettles

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Hot fuzz: The most glorious moustaches in movie history, ranked

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The Dive: A clammy, cathartic scuba thriller

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William Friedkin on ‘rip-off’ Exorcist sequels, Scorsese selling out and dressing as Ali G

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Joy Ride: A modern kind of gross-out comedy

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Kokomo City: ‘Who doesn’t want these girls to be safe?’

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Is Talk To Me the scariest film of the year?

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