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The Producers star Marc Antolin: ‘Sometimes making fun of fascism is the best way to deal with it’

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World Homeless Day

Homelessness ‘should not exist in a country that values human life’, says Alt-J star Gus Unger-Hamilton

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Big Issue’s greatest interviews in history published in a collection for the first time

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Big Issue ambassador Kwajo Tweneboa launches podcast to reveal famous faces’ humble beginnings

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Tosca’s Russian soprano row sees politics replace performance for Royal Opera

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Good Boy review – tails of the unexpected in a ghostly shaggy-dog story

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Primal Scream’s Bobby Gillespie: ‘It was hard to get artists to take part in Gig for Gaza’

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Artificial intelligence

In the age of AI slop, what is the future of art and photography?

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The Colonel and The King by Peter Guralnick review – behind the myth of Elvis and his manager

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Learning how to tell stories gives prisoners the chance to be heard – and a chance at redemption

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Why ‘noodle dramas’ like The Guest are just as enjoyable as ‘caviar dramas’ like Slow Horses

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Letter To My Younger Self

Bad Seed Warren Ellis: ‘Painful things make you a better version of yourself’

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Top 5 seafaring books, chosen by award-winning writer Carolyn Kirby

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‘A showgirl is in everybody’: Is the life of a showgirl as glamorous as Taylor Swift makes it seem?

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Buckle Up by Adam Buxton review – proof that comedy really does belong in music

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Cult poet Martin Newell: ‘I am the good granddad of rock ‘n’ roll’

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Mother Mary Comes to Me by Arundhati Roy review – words of wisdom

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House of Day, House of Night by Olga Tokarczuk review – mushrooming magic

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Revealed: Brits trust Claudia Winkleman and Jonathan Ross more than Rachel Reeves and Keir Starmer

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Big Thief: ‘There’s much more to humanity than just this awfulness’

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