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Top 5 crime collections, chosen by award-winning crime writer Martin Edwards

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Clarkston review – strong performances shine light onto dark subject matter

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BIGSOUND festival review – the sound from down under

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Dead of Winter review – Emma Thompson is an ice cool, unlikely hero

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Harris Dickinson: ‘There are so many injustices. How do you stay across all of them?’

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Cranhill Arts Project: Meet the Glasgow community group that painted itself a better future

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Daniel Morgan’s murder was never solved. Can new TV drama The Hack shake justice loose?

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Hum by Helen Phillips review – a dystopian drama with emotional impact

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Letter To My Younger Self

Adam Buxton: ‘Being a carer is the right thing to do – but it’s so hard, especially if it’s your parents’

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This is what happens when crime and thriller authors get together

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Top 5 art books, chosen by art historian and comedian Verity Babbs

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Viral comedian Hayley Morris: ‘The worst thing happened when everything I’d dreamed of was coming true’

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‘If you think I’m a dirty crackhead, that’s fine’: Artists Slawn and Opake talk mistakes and success

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Glasgow institution Citizens Theatre reopens after a seven-year intermission

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Artist Will Blood wanted to be a rock star – but pop-punk’s loss is the art world’s gain

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Road sign artist Suto: ‘I don’t want to make something that will be loved by everyone’

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Graffiti artist Fatso: ‘Anyone can be an artist – but they have to want to be’

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Ruth by Kate Riley review – a refreshing new author to watch

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The Course of the Heart by M John Harrison review – imbued with mystery and the occult

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Artist Charlotte Rose: ‘Warhol said everyone will be famous for 15 minutes. We’re living that now’

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