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Artist duo Snik: Our mission is to highlight abandoned spaces

Artists Snik on finding beauty in decay and entering into a dialogue with abandoned spaces

Artist duo Snik, aka Laura and Nik, are equally at home working in the studio or on the street. Their murals – created using traditional craft methods and layers of intricate handcut stencils – can be seen from Aberdeen to Miami and Hong Kong.

There is beauty in decay. There is beauty in places that are not perfect. And there are a lot of abandoned spaces. We want to show that these spaces still have a life to them, still have a purpose and meaning. They potentially have more years in them than people realise.

These places shouldn’t just be forgotten about. And they also shouldn’t be knocked down and redeveloped every five minutes. People can be very quick to write something off if it’s not new and shiny these days.  

The gentrification of London, especially, is at such a rapid pace. As soon as we have a site scouted, we might come back the following week to paint it and find that it’s gone. 

But if you think back to when you’re 11 years old – if you walk by a house that’s completely boarded up, you’re intrigued. You want to go in. As humans, we have always had this interest in seeing what’s behind that boarding. We have an interest in seeing things that are broken and decayed.  

Our mission is to highlight abandoned spaces that people might say are forgotten, but we think of as rewilding themselves. We want to show there is beauty in things being left alone for a while. We want to change the meaning of the word decay. Because decay is a natural part of the process of something growing, living, decaying and dying and restarting. And there is beauty in it. 

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Artist duo Snik
Snik. Image: @conorgaultphoto

Our work is not just about the image. You’re not just looking at the pictures painted. You’re looking at what’s around it, you’re looking at what’s next to it, you’re looking at what’s behind it. 

Ephemeral II was an emptied out, abandoned warehouse that had the most gorgeous mould growing through the windows. We did a show, but it wasn’t about people coming. It’s an ongoing conversation we are having with the environments we work in.  

So not only was the space reclaimed, but we were painting on reclaimed materials as well. And we were  painting on wood we set hanging in vines, as though everything had completely grown around it. We reclaimed that space but wanted our work to integrate within the nature.

Find out more about Snik here: snikarts.com

This article is part of an art special edition of The Big Issue, curated by My Dog Sighs and featuring his exclusive artwork on the cover. It is on the streets from 10 July. Find your local vendor here. Throughout the week we will be sharing more stories from creatives, explorers and activists who are reclaiming the lost. Read those stories here.

This article is taken from The Big Issue magazine, which exists to give homeless, long-term unemployed and marginalised people the opportunity to earn an income.To support our work buy a copy!

If you cannot reach your local vendor, you can still click HERE to subscribe to The Big Issue today or give a gift subscription to a friend or family member. You can also purchase one-off issues from The Big Issue Shop or The Big Issue app, available now from the App Store or Google Play

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