Home
Film

Film

.imgHideOnJavaScriptDisabled_im7ggtvb5 { display: none !important; }

Kensuke’s Kingdom offers an emotional edge over Disney’s slick and song-filled mega-flicks

.imgHideOnJavaScriptDisabled_im7ggtvb6 { display: none !important; }

The boiling frog of domestic abuse – and why shame can’t breed where the light shines

.imgHideOnJavaScriptDisabled_im7ggtvb7 { display: none !important; }

Jemaine Clement on creating Time Bandits for families to go on an adventure together

.imgHideOnJavaScriptDisabled_im7ggtvb8 { display: none !important; }

Actor and activist Rob Delaney on giving money to the poor, giving Starmer a chance and Deadpool

.imgHideOnJavaScriptDisabled_im7ggtvb9 { display: none !important; }

How many times have we walked by people, men and women, lying on the streets?

.imgHideOnJavaScriptDisabled_im7ggtvba { display: none !important; }

Can Deadpool & Wolverine save the Marvel Cinematic Universe? Yes and no

.imgHideOnJavaScriptDisabled_im7ggtvbb { display: none !important; }

“When I hear Rachel Reeves say, ‘there isn’t any money’… we’re not morons. There is money. Take it. Mint it.” Rob Delaney on finding perspective in politics

.imgHideOnJavaScriptDisabled_im7ggtvbc { display: none !important; }

Inside the Big Issue

Inside the Big Issue: Rob Delaney on housing for nurses, Robin Hood politics and Deadpool

.imgHideOnJavaScriptDisabled_im7ggtvbd { display: none !important; }

Our right to housing is dependent on our immigration status – that’s the definition of racism

.imgHideOnJavaScriptDisabled_im7ggtvbe { display: none !important; }

How chicken factory musical Chuck Chuck Baby became a love letter to working-class women

.imgHideOnJavaScriptDisabled_im7ggtvbf { display: none !important; }

Why watching the news can be like watching a horror film – literally

.imgHideOnJavaScriptDisabled_im7ggtvbg { display: none !important; }

Homeless people need more than sandwiches – they need and deserve to be seen as individuals

.imgHideOnJavaScriptDisabled_im7ggtvbh { display: none !important; }

Big Issue and Cardboard Citizens present new film series showing homelessness is more than one story

.imgHideOnJavaScriptDisabled_im7ggtvbi { display: none !important; }

Francis Ford Coppola’s The Conversation is an eerie prediction of our surveillance age

.imgHideOnJavaScriptDisabled_im7ggtvbj { display: none !important; }

Letter To My Younger Self

Line of Duty’s Martin Compston: ‘I was a wee bit of wide-o. But I don’t think there was any malice’

.imgHideOnJavaScriptDisabled_im7ggtvbk { display: none !important; }

Kinds of Kindness show it’s not enough to accept alienation under capitalism – we must love it too

.imgHideOnJavaScriptDisabled_im7ggtvbl { display: none !important; }

A world without cinema is a world I don’t want to live in

.imgHideOnJavaScriptDisabled_im7ggtvbm { display: none !important; }

Blur: To The End review – poignant new music film shows a band of brothers reunited

.imgHideOnJavaScriptDisabled_im7ggtvbn { display: none !important; }

Why Sasquatch Sunset is so much more than just a gross-out comedy in Chewbacca drag

.imgHideOnJavaScriptDisabled_im7ggtvbo { display: none !important; }

Letter to my younger self

Furiosa star Tom Burke: ‘It stung when someone said I didn’t have a face for TV’

.css-l0mio9{display:none;visibility:hidden;}