Home
Film

Film

.imgHideOnJavaScriptDisabled_im67jypn9 { display: none !important; }

Homeless people need more than sandwiches – they need and deserve to be seen as individuals

.imgHideOnJavaScriptDisabled_im67jypna { display: none !important; }

Big Issue and Cardboard Citizens present new film series showing homelessness is more than one story

.imgHideOnJavaScriptDisabled_im67jypnb { display: none !important; }

Francis Ford Coppola’s The Conversation is an eerie prediction of our surveillance age

.imgHideOnJavaScriptDisabled_im67jypnc { display: none !important; }

Letter To My Younger Self

Line of Duty’s Martin Compston: ‘I was a wee bit of wide-o. But I don’t think there was any malice’

.imgHideOnJavaScriptDisabled_im67jypnd { display: none !important; }

Kinds of Kindness show it’s not enough to accept alienation under capitalism – we must love it too

.imgHideOnJavaScriptDisabled_im67jypne { display: none !important; }

Jeff Nichols on The Bikeriders, punk rock and what makes Austin Butler a ‘stone cold movie star’

.imgHideOnJavaScriptDisabled_im67jypnf { display: none !important; }

A world without cinema is a world I don’t want to live in

.imgHideOnJavaScriptDisabled_im67jypng { display: none !important; }

Blur: To The End review – poignant new music film shows a band of brothers reunited

.imgHideOnJavaScriptDisabled_im67jypnh { display: none !important; }

Letter to my younger self

Furiosa star Tom Burke: ‘It stung when someone said I didn’t have a face for TV’

.imgHideOnJavaScriptDisabled_im67jypni { display: none !important; }

Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

.imgHideOnJavaScriptDisabled_im67jypnj { display: none !important; }

‘This country is run by idiots and fools’: Paul Weller on politics, God and the state of everything

.imgHideOnJavaScriptDisabled_im67jypnk { display: none !important; }

Viggo Mortensen on Trump, corruption and why classic Westerns are like the best poetry

.imgHideOnJavaScriptDisabled_im67jypnl { display: none !important; }

Furiosa director George Miller on the function of stories and why Mad Max is a ‘cautionary tale’

.imgHideOnJavaScriptDisabled_im67jypnm { display: none !important; }

The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

.imgHideOnJavaScriptDisabled_im67jypnn { display: none !important; }

Made in England: The Films of Powell and Pressburger – Scorsese’s tribute to duo who inspired him

.imgHideOnJavaScriptDisabled_im67jypno { display: none !important; }

Filmmaker Melanie Manchot explains how her drama Stephen can offer hope to addicts

.imgHideOnJavaScriptDisabled_im67jypnp { display: none !important; }

Challengers review – Zendaya stars in an absurdly compelling three-way love match

.imgHideOnJavaScriptDisabled_im67jypnq { display: none !important; }

Mena Massoud on life after Aladdin, confidence and the problem with roles for actors of colour

.imgHideOnJavaScriptDisabled_im67jypnr { display: none !important; }

Cocktails with George and Martha by Philip Gefter review – art imitating life in a war of egos 

.imgHideOnJavaScriptDisabled_im67jypns { display: none !important; }

Back to Black actor Eddie Marsan: ‘There aren’t any no-go areas in Tower Hamlets’

.css-l0mio9{display:none;visibility:hidden;}