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From Pavements to Searching for Sugar Man: The most enchanting music docs to watch right now

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Tornado director John Maclean: ‘There aren’t many samurai Westerns set in Britain’

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Fox by Joyce Carol Oates review – giving voices to victims

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I Gave You Eyes and You Looked Toward Darkness by Irene Solà review – exploring trauma through cooking

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Why am I crying at a TV show about virgins?

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Beyoncé’s stunning Cowboy Carter tour reclaims country and proves history can’t be erased

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Dangerous Animals review – you’re gonna need a bigger bait

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Foreign Fruit by Katie Goh review – big ideas, lightly handled

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Parallel Lines by Edward St Aubyn review – big ideas and terrific prose

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The miracle of Mission: Impossible

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Bowie Odyssey 75 by Simon Goddard review – utterly riveting and beautifully written

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Normally Weird and Weirdly Normal by Robin Ince review – wise, witty and compassionate

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Some Body Like Me by Lucy Lapinska review – when robots replace your dead spouse

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The Surfer review – Nicolas Cage rides a wave of desperation

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Stag Dance by Torrey Peters review – deliciously filthy genderfuckery

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Universality by Natasha Brown review – satirising a very British class oppression

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Calls May be Recorded for Training and Monitoring Purposes review – provocative and absurd

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Separate Rooms by Pier Vittorio Tondelli review – a welcome return to the queer canon

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Den of Thieves 2: Pantera review – heist sequel has blood, sweat and De Beers

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Soft Core by Brittany Newell review – sex, smoke and mirrors

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