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Artist Sarah Lucas on tits, making something out of nothing and ‘living in quite terrible times’

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Artificial intelligence

The Creator: Could AI have generated Gareth Edwards’ gorgeous new sci-fi blockbuster?

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Land of Milk and Honey by C Pam Zhang review – the politics of food

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Chris Packham: Is it Time To Break The Law? is a vital, soul-searching documentary on activism

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The Rolling Stones remind us rock stars weren’t meant to be role models

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Lazy City by Rachel Connolly review: A mesmerising portrait of modern Belfast

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family chronicle

The Wren, The Wren by Anne Enright review: Perfect prose illuminates family chronicle

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Inside The Factory: Finding solace in repetition

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Bridge by Lauren Beukes review: Multiverse thriller by The Shining Girls author delivers

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The Dive: A clammy, cathartic scuba thriller

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boygenius review, Halifax: These brilliant women should be filling out stadiums

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Core festival Glasgow review: Chat Pile, Deafheaven, Liturgy at diverse new noise weekender

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Bright Fear by Mary Jean Chan: Poetry alive with compassion and acceptance

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Ootlin: A Memoir by Jenni Fagan review: Harrowing truths about the care system

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Devo 50 – UK farewell tour review: Boy, they can Booji

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The story of the world’s first drag ABBA tribute band

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Lost on Me by Veronica Raimo review: Family dynamics beg closer inspection

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Sea Change by Gina Chung review: Busy plotting undoes wry wit

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Joy Ride: A modern kind of gross-out comedy

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Ripe review: A dread-filled indictment of capitalism

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