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The Great White Bard by Farah Karim-Cooper review – a new way of seeing Shakespeare

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Parasol Against the Axe by Helen Oyeyemi review – electrifying, experimental writing

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The Hearing Test by Eliza Barry Callahan review – a droll insight into a year of loss

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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The Other Valley by Scott Alexander Howard review – the moral conundrums of coming of age

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Fragile Animals by Genevieve Jagger review – a captivating and original gothic novel

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These Letters End in Tears by Musih Tedji Xaviere review – love in the face of hate

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Heaven by Emerson Whitney review – a memoir with fearsome grace

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Headshot by Rita Bullwinkel review – a depth of feeling like a punch to the guts

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Clear by Carys Davies review – a wonderful, poetic reminder that no man is an island

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Come and Get It by Kiley Reid review – the alienation of campus life

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My Heavenly Favourite by Lucas Rijneveld review – a nightmarish vision of abuse

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Origin review – a genuine, often unsettling cinema outlier

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Hamilton tour review – an urgent production as America needs heroes to rise up

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Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss

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The Tusks of Extinction by Ray Nayler review – the mammoth risks of playing God with nature

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Family Politics by John O’Farrell review – a plea to engage with those whose views we abhor

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Mrs Gulliver by Valerie Martin review – finding agency in a patriarchy

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Freaks Out! by Luke Haines review – a righteous celebration of gloriously weird rock ‘n’ rollers

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Dune: Part Two review – deluxe space opera with a discreet safety net

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