Film

.imgHideOnJavaScriptDisabled_im7gv74n6 { display: none !important; }

Seven Samurai is the daddy of all action films. So why have I never watched it until now?

.imgHideOnJavaScriptDisabled_im7gv74n7 { display: none !important; }

John David Washington and Danielle Deadwyler: ‘When are Black people not in dire straits?’

.imgHideOnJavaScriptDisabled_im7gv74n8 { display: none !important; }

Will Gladiator II be a useful cautionary tale about putting self-serving man-babies in charge?

.imgHideOnJavaScriptDisabled_im7gv74n9 { display: none !important; }

Ben Whishaw on the ‘quiet political message’ running through Paddington: ‘I love it’

.imgHideOnJavaScriptDisabled_im7gv74na { display: none !important; }

Emily Mortimer: ‘Britain can be a tolerant place – but obviously there’s times when it isn’t’

.imgHideOnJavaScriptDisabled_im7gv74nb { display: none !important; }

Paddington is a British icon. So why are we all not a bit more like Paddington?

.imgHideOnJavaScriptDisabled_im7gv74nc { display: none !important; }

‘War is madness’: Steve McQueen and Saoirse Ronan on Britishness, trauma and new drama Blitz

.imgHideOnJavaScriptDisabled_im7gv74nd { display: none !important; }

Anora review – even Russian mercenaries have a sensitive side

.imgHideOnJavaScriptDisabled_im7gv74ne { display: none !important; }

Timestalker review – digging deep into how love makes fools of us all

.imgHideOnJavaScriptDisabled_im7gv74nf { display: none !important; }

Why the problems of this remote Kenyan community are the problems that face us all

.imgHideOnJavaScriptDisabled_im7gv74ng { display: none !important; }

Joker: Folie à Deux says nothing meaningful about living with mental illness

.imgHideOnJavaScriptDisabled_im7gv74nh { display: none !important; }

Letter To My Younger Self

Actor Adam Pearson: ‘I wake up every morning, let the universe kick my arse and then carry on’

.imgHideOnJavaScriptDisabled_im7gv74ni { display: none !important; }

Will Ferrell takes a crash course in trans advocacy in new Netflix doc Will & Harper

.imgHideOnJavaScriptDisabled_im7gv74nj { display: none !important; }

My Old Ass review – a sweet and cathartic coming-of-ages movie with a twist

.imgHideOnJavaScriptDisabled_im7gv74nk { display: none !important; }

The Gilded Age star Carrie Coon: ‘We don’t have to be a capitalist machine’

.imgHideOnJavaScriptDisabled_im7gv74nl { display: none !important; }

In Camera review – a potent comment on race and identity in the film industry

.imgHideOnJavaScriptDisabled_im7gv74nm { display: none !important; }

Focus on Vogue-model-cum-war-correspondent in Kate Winslet passion project years in the making

.imgHideOnJavaScriptDisabled_im7gv74nn { display: none !important; }

Red Rooms director Pascal Plante on empathy, digital horror and why we’re all way too online

.imgHideOnJavaScriptDisabled_im7gv74no { display: none !important; }

Prisoner turned actor Clarence Maclin on life inside Sing Sing – and starring in a film based on it

.imgHideOnJavaScriptDisabled_im7gv74np { display: none !important; }

Arnie said he’d be back… How The Terminator and other classics are taking over cinemas – again

.css-l0mio9{display:none;visibility:hidden;}