Film

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Kensuke’s Kingdom offers an emotional edge over Disney’s slick and song-filled mega-flicks

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Actor and activist Rob Delaney on giving money to the poor, giving Starmer a chance and Deadpool

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Can Deadpool & Wolverine save the Marvel Cinematic Universe? Yes and no

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‘Who’s your favourite Spider-Man?’: Why the future of Spidey looks thwipping exciting

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How chicken factory musical Chuck Chuck Baby became a love letter to working-class women

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Why watching the news can be like watching a horror film – literally

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Francis Ford Coppola’s The Conversation is an eerie prediction of our surveillance age

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Kinds of Kindness show it’s not enough to accept alienation under capitalism – we must love it too

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A world without cinema is a world I don’t want to live in

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Blur: To The End review – poignant new music film shows a band of brothers reunited

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Why Sasquatch Sunset is so much more than just a gross-out comedy in Chewbacca drag

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Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

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Viggo Mortensen on Trump, corruption and why classic Westerns are like the best poetry

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Furiosa director George Miller on the function of stories and why Mad Max is a ‘cautionary tale’

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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Made in England: The Films of Powell and Pressburger – Scorsese’s tribute to duo who inspired him

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She-Hulk star Tatiana Maslany: ‘Fear is not necessarily the worst thing to feel’

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Much Ado About Dying filmmaker on social care and why we should all be exposed to ‘good deaths’

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Love Lies Bleeding director Rose Glass on why women’s muscles are still ‘shocking and subversive’

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Banshees of Inisherin star Kerry Condon: ‘You won’t be a beautiful human without empathy’

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