Film

.imgHideOnJavaScriptDisabled_im92l91ad { display: none !important; }

How can Netflix top sexy snowman caper Hot Frosty?

.imgHideOnJavaScriptDisabled_im92l91ae { display: none !important; }

Rom-com master Richard Curtis on Christmas, Love Actually and criticism: ‘You change with the times’

.imgHideOnJavaScriptDisabled_im92l91af { display: none !important; }

Grand Theft Hamlet: Why these unemployed actors staged a Shakespeare play inside a video game

.imgHideOnJavaScriptDisabled_im92l91ag { display: none !important; }

Rumours review – an absurdist satire of the G7 summit that should make us all a bit afraid

.imgHideOnJavaScriptDisabled_im92l91ah { display: none !important; }

Nightbitch director Marielle Heller: ‘I’m trying to normalise the messy side of menstruation’

.imgHideOnJavaScriptDisabled_im92l91ai { display: none !important; }

These children are going blind – so their parents gave them memories to last a lifetime

.imgHideOnJavaScriptDisabled_im92l91aj { display: none !important; }

Malala Yousafzai on taking on the Taliban and why ‘storytelling is the soul of activism’

.imgHideOnJavaScriptDisabled_im92l91ak { display: none !important; }

Wicked: The musical reimagining of The Wizard of Oz shows a way to reclaim the American dream

.imgHideOnJavaScriptDisabled_im92l91al { display: none !important; }

John David Washington and Danielle Deadwyler: ‘When are Black people not in dire straits?’

.imgHideOnJavaScriptDisabled_im92l91am { display: none !important; }

Will Gladiator II be a useful cautionary tale about putting self-serving man-babies in charge?

.imgHideOnJavaScriptDisabled_im92l91an { display: none !important; }

Ben Whishaw on the ‘quiet political message’ running through Paddington: ‘I love it’

.imgHideOnJavaScriptDisabled_im92l91ao { display: none !important; }

Emily Mortimer: ‘Britain can be a tolerant place – but obviously there’s times when it isn’t’

.imgHideOnJavaScriptDisabled_im92l91ap { display: none !important; }

Paddington is a British icon. So why are we all not a bit more like Paddington?

.imgHideOnJavaScriptDisabled_im92l91aq { display: none !important; }

‘War is madness’: Steve McQueen and Saoirse Ronan on Britishness, trauma and new drama Blitz

.imgHideOnJavaScriptDisabled_im92l91ar { display: none !important; }

Anora review – even Russian mercenaries have a sensitive side

.imgHideOnJavaScriptDisabled_im92l91as { display: none !important; }

The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

.imgHideOnJavaScriptDisabled_im92l91at { display: none !important; }

Why the problems of this remote Kenyan community are the problems that face us all

.imgHideOnJavaScriptDisabled_im92l91au { display: none !important; }

Joker: Folie à Deux says nothing meaningful about living with mental illness

.imgHideOnJavaScriptDisabled_im92l91av { display: none !important; }

Letter To My Younger Self

Actor Adam Pearson: ‘I wake up every morning, let the universe kick my arse and then carry on’

.imgHideOnJavaScriptDisabled_im92l91aw { display: none !important; }

Will Ferrell takes a crash course in trans advocacy in new Netflix doc Will & Harper

.css-l0mio9{display:none;visibility:hidden;}