Film

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Malala Yousafzai on taking on the Taliban and why ‘storytelling is the soul of activism’

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Wicked: The musical reimagining of The Wizard of Oz shows a way to reclaim the American dream

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Seven Samurai is the daddy of all action films. So why have I never watched it until now?

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John David Washington and Danielle Deadwyler: ‘When are Black people not in dire straits?’

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Will Gladiator II be a useful cautionary tale about putting self-serving man-babies in charge?

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Ben Whishaw on the ‘quiet political message’ running through Paddington: ‘I love it’

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Emily Mortimer: ‘Britain can be a tolerant place – but obviously there’s times when it isn’t’

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Paddington is a British icon. So why are we all not a bit more like Paddington?

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Anora review – even Russian mercenaries have a sensitive side

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The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

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Timestalker review – digging deep into how love makes fools of us all

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Why the problems of this remote Kenyan community are the problems that face us all

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Joker: Folie à Deux says nothing meaningful about living with mental illness

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Letter To My Younger Self

Actor Adam Pearson: ‘I wake up every morning, let the universe kick my arse and then carry on’

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Will Ferrell takes a crash course in trans advocacy in new Netflix doc Will & Harper

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My Old Ass review – a sweet and cathartic coming-of-ages movie with a twist

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In Camera review – a potent comment on race and identity in the film industry

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Letter To My Younger Self

Jared Harris: ‘I still wake up every morning wondering if I can make a living as an actor’

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Focus on Vogue-model-cum-war-correspondent in Kate Winslet passion project years in the making

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Red Rooms director Pascal Plante on empathy, digital horror and why we’re all way too online

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