Film

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In Camera review – a potent comment on race and identity in the film industry

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Letter To My Younger Self

Jared Harris: ‘I still wake up every morning wondering if I can make a living as an actor’

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Focus on Vogue-model-cum-war-correspondent in Kate Winslet passion project years in the making

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Red Rooms director Pascal Plante on empathy, digital horror and why we’re all way too online

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Prisoner turned actor Clarence Maclin on life inside Sing Sing – and starring in a film based on it

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Arnie said he’d be back… How The Terminator and other classics are taking over cinemas – again

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Only The River Flows review – a Chinese crime thriller awash with mystery

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Kensuke’s Kingdom offers an emotional edge over Disney’s slick and song-filled mega-flicks

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Can Deadpool & Wolverine save the Marvel Cinematic Universe? Yes and no

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‘Who’s your favourite Spider-Man?’: Why the future of Spidey looks thwipping exciting

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How chicken factory musical Chuck Chuck Baby became a love letter to working-class women

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Why watching the news can be like watching a horror film – literally

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Francis Ford Coppola’s The Conversation is an eerie prediction of our surveillance age

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Kinds of Kindness show it’s not enough to accept alienation under capitalism – we must love it too

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Jeff Nichols on The Bikeriders, punk rock and what makes Austin Butler a ‘stone cold movie star’

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A world without cinema is a world I don’t want to live in

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Why Sasquatch Sunset is so much more than just a gross-out comedy in Chewbacca drag

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Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

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Viggo Mortensen on Trump, corruption and why classic Westerns are like the best poetry

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Furiosa director George Miller on the function of stories and why Mad Max is a ‘cautionary tale’

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