Film

.imgHideOnJavaScriptDisabled_imbkzoall { display: none !important; }

Banshees of Inisherin star Kerry Condon: ‘You won’t be a beautiful human without empathy’

.imgHideOnJavaScriptDisabled_imbkzoalm { display: none !important; }

Challengers review – Zendaya stars in an absurdly compelling three-way love match

.imgHideOnJavaScriptDisabled_imbkzoaln { display: none !important; }

Mena Massoud on life after Aladdin, confidence and the problem with roles for actors of colour

.imgHideOnJavaScriptDisabled_imbkzoalo { display: none !important; }

Civil War director Alex Garland on ChatGPT, 28 Years Later and why Britain is like a ‘pet cat’

.imgHideOnJavaScriptDisabled_imbkzoalp { display: none !important; }

From The Iron Claw to Opponent: How wrestling films began grappling with real issues

.imgHideOnJavaScriptDisabled_imbkzoalq { display: none !important; }

Gillian Anderson, Billie Piper and Rufus Sewell on recreating Prince Andrew’s car-crash interview in Scoop

.imgHideOnJavaScriptDisabled_imbkzoalr { display: none !important; }

Io Capitano director Matteo Garrone on why a refugee’s journey is so much more than small boats

.imgHideOnJavaScriptDisabled_imbkzoals { display: none !important; }

‘Everyone has a story’: Watch The Beautiful Game stars explain why Homeless World Cup is so important

.imgHideOnJavaScriptDisabled_imbkzoalt { display: none !important; }

Homeless World Cup

Bill Nighy: ‘Footballers are physical geniuses creating passages of great beauty. It’s fascinating’

.imgHideOnJavaScriptDisabled_imbkzoalu { display: none !important; }

Homeless World Cup

The Beautiful Game: Meet the real-life footballers who inspired Netflix’s Homeless World Cup film

.imgHideOnJavaScriptDisabled_imbkzoalv { display: none !important; }

Ghostbusters: Frozen Empire review – a heartfelt and ‘nostalgia-tickling’ sequel

.imgHideOnJavaScriptDisabled_imbkzoalw { display: none !important; }

Homeless World Cup

The Beautiful Game: Everything you need to know about Netflix’s new Homeless World Cup film

.imgHideOnJavaScriptDisabled_imbkzoalx { display: none !important; }

Robot Dreams director Pablo Berger on grief, loss and the Oscars underdog winning hearts everywhere

.imgHideOnJavaScriptDisabled_imbkzoaly { display: none !important; }

Banel & Adama creator Ramata-Toulaye Sy on why Africa is so much more than its tragedies

.imgHideOnJavaScriptDisabled_imbkzoalz { display: none !important; }

Cate Blanchett on religion, powerful drama The New Boy and why politics is ‘incredibly shameless’

.imgHideOnJavaScriptDisabled_imbkzoam0 { display: none !important; }

The New Boy director Warwick Thornton: ‘Democracy is a failure for world’s indigenous people’

.imgHideOnJavaScriptDisabled_imbkzoam1 { display: none !important; }

Indigenous rights

What has Oscar-nominated Killers of the Flower Moon changed for the people at its heart?

.imgHideOnJavaScriptDisabled_imbkzoam2 { display: none !important; }

Origin review – a genuine, often unsettling cinema outlier

.imgHideOnJavaScriptDisabled_imbkzoam3 { display: none !important; }

Ava DuVernay on Origin: ‘I want it to be the kind of film you think about after you’ve left the theatre’

.imgHideOnJavaScriptDisabled_imbkzoam4 { display: none !important; }

‘We felt like absolute stars’: Behind the 1971 women’s football World Cup the world forgot

.css-l0mio9{display:none;visibility:hidden;}