Film

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Cynthia Erivo on identity, migrant crisis and what she’s learned playing Elphaba in Wicked

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Homeless World Cup

Bill Nighy: ‘Footballers are physical geniuses creating passages of great beauty. It’s fascinating’

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Homeless World Cup

The Beautiful Game: Meet the real-life footballers who inspired Netflix’s Homeless World Cup film

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Ghostbusters: Frozen Empire review – a heartfelt and ‘nostalgia-tickling’ sequel

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Homeless World Cup

The Beautiful Game: Everything you need to know about Netflix’s new Homeless World Cup film

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Robot Dreams director Pablo Berger on grief, loss and the Oscars underdog winning hearts everywhere

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Banel & Adama creator Ramata-Toulaye Sy on why Africa is so much more than its tragedies

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Cate Blanchett on religion, powerful drama The New Boy and why politics is ‘incredibly shameless’

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The problem with UK’s film industry? It’s easier to win an Oscar if you went to private school

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Indigenous rights

What has Oscar-nominated Killers of the Flower Moon changed for the people at its heart?

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Origin review – a genuine, often unsettling cinema outlier

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Ava DuVernay on Origin: ‘I want it to be the kind of film you think about after you’ve left the theatre’

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‘We felt like absolute stars’: Behind the 1971 women’s football World Cup the world forgot

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Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss

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Olivia Colman and Jessie Buckley: ‘Why the hell are we still judging someone on how they look?’

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Dune: Part Two review – deluxe space opera with a discreet safety net

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From Silence of the Lambs to Sonic the Hedgehog: 6 films you didn’t realise are actually romantic

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The Smiley Charity Film Awards present — a powerful minute against immigration misconceptions

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Michael Winterbottom on new film Shoshana, Israel’s war and how violence makes people ‘take sides’

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‘We can 100% end homelessness’: Someone’s Daughter, Someone’s Son filmmaker’s rousing call to action

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