Film

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Made in England: The Films of Powell and Pressburger – Scorsese’s tribute to duo who inspired him

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Filmmaker Melanie Manchot explains how her drama Stephen can offer hope to addicts

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She-Hulk star Tatiana Maslany: ‘Fear is not necessarily the worst thing to feel’

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Much Ado About Dying filmmaker on social care and why we should all be exposed to ‘good deaths’

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Love Lies Bleeding director Rose Glass on why women’s muscles are still ‘shocking and subversive’

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Banshees of Inisherin star Kerry Condon: ‘You won’t be a beautiful human without empathy’

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Challengers review – Zendaya stars in an absurdly compelling three-way love match

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Mena Massoud on life after Aladdin, confidence and the problem with roles for actors of colour

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From The Iron Claw to Opponent: How wrestling films began grappling with real issues

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Gillian Anderson, Billie Piper and Rufus Sewell on recreating Prince Andrew’s car-crash interview in Scoop

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Io Capitano director Matteo Garrone on why a refugee’s journey is so much more than small boats

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‘Everyone has a story’: Watch The Beautiful Game stars explain why Homeless World Cup is so important

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Cynthia Erivo on identity, migrant crisis and what she’s learned playing Elphaba in Wicked

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Homeless World Cup

Bill Nighy: ‘Footballers are physical geniuses creating passages of great beauty. It’s fascinating’

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Homeless World Cup

The Beautiful Game: Meet the real-life footballers who inspired Netflix’s Homeless World Cup film

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Ghostbusters: Frozen Empire review – a heartfelt and ‘nostalgia-tickling’ sequel

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Robot Dreams director Pablo Berger on grief, loss and the Oscars underdog winning hearts everywhere

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Banel & Adama creator Ramata-Toulaye Sy on why Africa is so much more than its tragedies

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Cate Blanchett on religion, powerful drama The New Boy and why politics is ‘incredibly shameless’

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The New Boy director Warwick Thornton: ‘Democracy is a failure for world’s indigenous people’

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